2014 Southeast Convention Overview

Take a deep breath. Do you smell that? Yes, the (hopefully soon-to-be) warming air and comforting musk of stir-crazy fanboys and fangirls. Winter has come…and is leaving. Now it’s Convention Season. Delicious.

So what cons are Krissia (my partner-in-con) and I looking forward to in the coming months?

Let’s pull out our crystal balls and stare deeply!

(Permanent Page here- 2014 Southeast Conventions. Stay tuned for updates and coverage!)

anachrocon bannerAnachro Con
February 14-16

$70 3-Day Pass
Firday $30 single day price at the door
Saturday $40 single day price at the door
Sunday $20 single day price at the door
Ambassador Pass $100 includes a specially designed badge, a gift bag, a private tea party, access to Green Room and priority seating in panels!

Atlanta Marriott Perimeter Center
246 Perimeter Center Parkway NE
Atlanta, Georgia 30346

Lawrence M. Schoen: Authority on the Klingon language and constructed tongues. Ph.D. in cognitive psychology, with a special focus in psycholinguistics. Author.

Allan Gilbreath: Author of adult vampire novels, Galen and Dark Chances and the Jack Lago supernatural mysteries.

Kimberly Richardson: Author of Tales from a Goth Librarian. Finalist in the National Best Books 2009 Awards and 2010 International Book Awards.

Lee Martindale: Author of numerous short stories. Named Bard, a Lifetime Active Member of SFWA (where she serves on the Board of Directors), a fencing member of the SFWA Musketeers, a member of the SCA, and a popular guest at science fiction conventions all over the country.

Jana Oliver: Author of Briar Rose, a dark steampunk take on Sleeping Beauty, the award winning Time Rovers triology, and Demon Trappers, a young adult series.

Thomas Willeford: Artist. Specializes in steampunk sculpture and wearable art. Author of Steampunk Gear, Gadgets, and Gizmos.

Bill Pacer: Performer, Actor, Baritone, Former War Correspondent and News Editor. Reprising the role of Benjamin Franklin, Mr. Pacer’s credits are numerous and span opera, stage, film, and paper.

Balogun Ojetade: Author and authority on Steamfunk – a philosophy or style of writing that combines African American culture and lifestyle with steampunk philosophy and fiction.

Phillip Sacco: Author, Mythologist, Speaker. Author of Awaken the Warrior- a multi-discipline study of the armor of God, and leader of Walk-n-Talks- a unique blend of astonomy and story telling.

& Many More Authors, Performers, and Artists!

Horror Track
Gaming Track
Culture & Media Track
Fabrication Track
Fashion Track
History Track
Science Track
Etiquette & Indulgence Track
Valentine’s Day Dinner
Absinthe Tasting

May 23-25

$45 3-Day price at the door
Friday $25 single day price at the door
Saturday $35 single day price at the door
Sunday $25 single day price at the door
Early Bird Rate (3-Day): $40 before May 11th

Downtown Atlanta
Hilton Atlanta And Marriott Marquis
255 Courtland Street NE
Atlanta, Georgia 30303


Troy Baker: Voice of Joel in The Last of Us, Booker DeWitt in Bioshock Infinite, Vincent Brooks in Catherine, Excalibur in Soul Eater, and many more!

Courtnee Draper: Voice of Elizabeth from Bioshock Infinite, and many various live action and voice over roles!

Doug Walker: The Nostalgia Criticand mastermind of ThatGuyWithTheGlasses.com!

Dante Basco: Rufio from Hook, Voice of Prince Zuko from Avatar: The Last Airbender, and General Iroh from The Legend of Korra!

Tress MacNeille: Voice of Dot from Animaniacs, Mom from Futurama, Agnes Skinner from The Simpsons!

Rob Paulsen: Voice of Yakko from Animaniacs, Pinky from ‘Pinky and the Brain’, and Jack Fenton in Danny Phantom!

Maurice LaMarche: Voice of The Brain from ‘Pinky and the Brain’, and Morbo/Kif/Calculon/The Donbot/Clamps in Futurama!

Cherami Leigh: Voice of Asuna from Sword Art Online, and Lucy from Fairy Tail!

Bryce Papenbrook: Voice of Kirito from Sword Art Online, and Rin Okumura in Blue Exorcist!

Sifu Kisu and Sifu Manny: The creators of martial arts style of ‘bending’ from Avatar the Last Airbender and Korra!

Jordan Weisman: Creator of Shadowrun, MechWarrior, and Crimson Skies. Founder of over 6 companies including Harebrained Schemes!

Mike Reiss: Creator of ‘The Critic’ and current writer/producer on ‘The Simpsons’!

Event Offerings:
Costume Contests
Blades Demo
MomoCon LAN Party (byoc)
Board Games
Card Games
RPG Tabletop Games

seishuncon bannerSeishun Con


June 20-22

$30 3-Day price at the door
$20 single day price at the door
$25 3-Day price pre-registration
(*prices based off 2013)

Hilton Atlanta/Marietta Hotel & Conference Center
500 Powder Springs St
Marietta, Georgia 30064
United States

More Information Coming Soon!
Last year was a blast!

metrocon bannerMetrocon
July 11-13

Single Day Ticket (Friday) $35.00
Single Day Ticket (Saturday) $35.00
Single Day Ticket (Sunday) $30.00
Weekend Pass $60.00
Weekend Pass (Early Bird Pre Reg Before March 31) $48.33
Weekend Pass (Early Bird Pre Reg Before May 31) $51.67
Weekend Pass (Early Bird Pre Reg Before June 30) $55.00
Fantasy Masquerade Ticket $10.00
VIP Weekend Pass $100 (Available until June 30, Includes: early entry to all Main Events and Special Events, premiere seating during all Guest Track, Main Events, and Special events, admission to the Fantasy Masquerade, exclusive VIP events, early admission to the Dealer’s Room, priority access to Guest Autograph Signings, and one convention T-Shirt. Benefits subject to change.)

Scott McNeil: Voice of Piccolo from Dragonball Z, Koga from Inuyasha, Duo Maxwell from Gundam Wing, Wolverine in X-Men: Evolution, Stork from Stormhawks, all manner of Transformers, and many other roles!

Mary Elizabeth McGlynn: Voice of Kusanagi from Ghost in the Shell, Cornelia in Code Geass, Kurenai from Naruto, Julia from Cowboy Bebop, and many other roles. Director of several series including Naruto, Tenkai Knights, and Penn Zero Part Time Hero. Vocalist in the American adaptation of Akira Yamaoka’s Silent Hill music.

Richard Epcar: Voice of 40 characters (and the narrator) and author of White Eyes- A Doc Savage Novel, a pulp fiction audiobook. Voice of Batou from Ghost in the Shell, and many other video games andanime. ADR Director of titles such as Blue Dragon, Unreal Tournement. Director of Lupin the Third, Ghost in the Shell 2, Noien, and others.

Ellyn Stern: Director of several projects including Samurai X and Star Wars Episode lV-A New Hope dubbed into the Navajo language. Voice of Yu’s Mom in Noein, Jack’s Mom in Marchen Awakens Romance, Hiroshi’s Mom in Zenki, and Ichigo’s Mom in Bleach. Voice of many other non-mom characters in anime and video games as well!

Zoe Van West: UK Hardcore Vocalist who has worked with Sythnwulf, Rythmics, DanielSeven, Flawless, and Transcend. Promoter of Happy Hardcore, designer of Kikgirl, and sponsered artist of Kikwear and Kikgirl.

dcon bannerDragonCon
Aug 29-Sept 1

Downtown Atlanta
Hyatt Regency Atlanta
Atlanta Hilton
Sheraton Atlanta
Atlanta Marriott Marquis
Westin Peachtree Plaza Hotel

More Information Coming Soon!

awa 2Anime Weekend Atlanta
Sept 26-28

Renaissance Atlanta Waverly Hotel
Cobb Galleria Centre
Sheraton Suites Galleria

More Information Coming Soon!

mizucon bannerMizucon
Oct 3-5

DoubleTree by Hilton Hotel Miami Airport & Convention Center
711 N.W. 72nd Avenue
Miami, Florida, 33126

More Information Coming Soon!


Future Card Buddyfight’s Opening Brings Back that 90’s Magic

I haven’t heard an anime opening like this since the late 90’s!! Back then, translations were hit or miss even on subtitled versions, dubbing was hardly the respected profession it is today, and few theme songs were sent to market without a random, often nonsensical, English phrase or sixteen.

Today, “Future Card Buddyfight” brings that flavor back with a faithfulness to upbeat nonsense that borders on parody. (“Let’s Fighting Love,” anyone?)

This song is so phenomenal that every video I’ve found of it comes with subtitles– as though anyone exposed instantly thought, “Yeah, people are going to need to see these lyrics.”

However, the font can be a little hard to read at points, and I’m sure you’ll want to commit this classic to memory as soon as possible, so I’ve taken the liberty of transcribing it below as well:

Future Buddy Cardfight Opening 1- “Card of the Future”

(Future Buddy Fight!)
These powerful deep bonds connecting us, buddy,
Ain’t ever giving up, crush and build again,
Break out your future card!

Getting into it with our stunning moves, yeah!
Don’t matter to us we can change the way it’s done,
‘Cause we are, (’cause we are), the irrepressible Buddy Fighter!

With our flame we can burn up the darkness,
The sun will shine on through, illuminate your soul,
On we go! (On we go!) We will deliver your call to tomorrow!

Such fantastic inspiration moving into new territory,
I charge and I draw, run as fast as the wind,
We’re invincible!

(Future Buddy Fight!)

These powerful deep bonds connecting us, buddy!
Ain’t ever giving up, crush and build again!

(Future Buddy Fight!)

Meaningless fantasies of what the future brings,
We don’t need such goals, we don’t need to dream! ((<-This is by far my favorite line!! XD))

(Future Buddy Call!)

Blowing open the walls of the cave!
Fight on with all the great skill that you have!
This, our never ending story, so let’s do it our own way!

Break out your Future Card!

As far as the anime itself goes, Future Buddy Cardfight falls squarely into the “shows about products” category, and demonstrates the expected levels of heavy-handed cliches and tropes that usually come along with that package. (You know- “believe in yourself,” “don’t follow the crowd,” “the one kid who’s ‘special’/’destined for greatness’,” “solving problems via card games,” “the power of friendship”….all that good stuff.)

At two episodes in, I can conclude that this will not be an overly cerebral or otherwise stand-out show, and probably isn’t anything worth following unless you’re looking for the animated equivalent to a partial lobotomy or need a pixelated babysitter for a half-hour.

To it’s credit though, the show does manage to use “buddy” more often and with the most gravity I’ve ever heard applied to the word since South Park’s Canadian arguments.

So that’s something.

Grateful 365 #6 – The Walking Dead Video Game


Damn you Telltale.
It hurts so good that I love you.
I love you so badly it hurts.

I meant to do a grateful post and then a review and then a decision breakdown and analysis.

Somehow I managed to make the first two one post unintentionally.

Super short version?


Slightly longer short version?

Sometimes either chemo or neulasta or both make sleep hard. Often it’s easy to resent that fact.

This game took one of my uncomfortable-to-be-alive nights and turned it into a reason to play a game.

That game got me so emotionally involved that it carried me out of myself and into a story.

While trying to hold myself together, it urged me to concentrate on, care for, and cry for something else entirely.

Catharsis is a beautiful thing.

This is more than a game to me, and many others. It’s escapism at it’s finest. It’s an experience. It’s nouveau tragedy done right.

It’s art.

Click above for “Take Us Back” by Alela Diane, the haunting end credit song from The Walking Dead.


It seems that there are a good number of people who like The Walking Dead TV series, and several representatives among my friend-group have insinuated in the past that I probably would too.

Bandwagoning aside, I tend to trust my friends on these kinds of things. They get me.

However, I tried The Walking Dead (the show) awhile back and found it– well– boring. Sure, it was set where I live. Yes, it’s really cool to see recognizable landmarks on screen. Hell, there’s still a chance that I might revisit the series one day and give it more than 2 episodes to build momentum and catch my interest.

When I heard about the game by Telltale, I wasn’t really given the chance to even contemplate skepticism.

When I was hearing about it prior to the final chapter dropping, it was like someone recounting “Hey, this one time when it was the zombie apocalypse-“. It wasn’t “some game,” it was an experience they were having and had to put on hold between chapters.

Excitement built until the final chapter was finally released, and at that point it seemed like an iron curtain descended. The obvious emotional investment was still there, but they could only say so much.

Them: “Oh. My. God….This game, man. I may never be the same…”

Me: “Really? You finally finished it?”

Them: (hollowly) “Yeah.”

Me: “So? How was it? Anything funny happen? That character you didn’t like get turned into zombie kibble?”

Them: “Dude- SO good. And Ben? I can’t even….the ending it just. It…holy shit. SO good, but, man…..”

Me: “…that told me a sum total of nothing. What happened?! Why is it so good?! Why do your eyes look haunted right now??”

Them: “NO.”

Me: (Blinks in surprise) “…No?”

Them: “I WILL NOT ruin it for you.”

Me: “-but I may never play i-”

Them: “NO. Just no. I can’t.”

All they would tell me is that it hit hard and fast and in every single one of the feels.

I was beyond intrigued.

At the time though, I wasn’t really playing many video games. (Time constraints, y’know?)

Time passed and with the game ended, I pretty much just forgot about it.

It was around the time when I started having my first medical issues that I received some giftcards for Steam- an online gaming store/library/community.

It was easy incentive to log on and go shopping.

It wasn’t long before I rediscovered the beauty of losing myself in a game. We’ll leave other titles for another time, but it wasn’t until December that I remembered the topic of this post.

Video Games Awesome, a series that I can guarantee I will likely post about next recovery week, had their Christmas Special. At the end of that special?

The Walking Dead: Season 2, Chapter 1.

Not because it was happy. Not because it was Christmassy.

They played it because the fan outcry was SO enormous and it was newly released.

It only took me hearing them discuss it to start looking up the title on Steam as they went.

There it was. And there was all of Season One. And there was the remainder of my gift cards in my wallet.

I watched most of the playthrough, but looking back the only thing I really gained was an appreciation for how much they loved this little pigtailed protagonist. I wanted to know WHY.


I love you Clem~! >w<

I love you Clem~! >w<

The Walking Dead Season One – Gameplay

I purchased that night, but I didn’t download or play until about three days ago.

It begins like a movie and in medias res (more on that in “Story”).

You meet yourself, learn the game’s premise and get the basic controls of the game.

These controls fall into two categories: timed multiple choice questions and quicktime events. It’s a unique recipe for a unique style of game-

This is not survival horror.

This is not FPS.

This is not even an “interactive story” in the way that many dating sims, eroge, or other interpersonal dialogue driven (generally Japanese) games are.

If I could coin a term, I’d call it tailored atmospheric action role play.

Shorthand? This is decision driven roleplay with quicktime action.

Quicktime? I hear you say.

Yes, but don’t close the browser yet, okay?

Let’s start at the “atmospheric” and “role play” portion, shall we? Earlier I mentioned dating sims and eroge. I’m sure that there are other genres out there with similar mechanics, but these happen to be what I’m familar with.

Generally speaking, these genres use player dialogue choices to determine one of several preset outcomes of the story. You play coy during dialogue choices with Aki and then (rather than him taking you to the dance Saturday) you find yourself on the progression line to a run-in with Hikari down at the train station.

The Walking Dead utilizes this mechanic by allowing you to choose how the protagonist, Lee, will interact with those he meets. If you leave a certain option on, a small pop-up will appear when you make a decision that may alter the course of the story.

Kenny will remember that...

Kenny will remember that…

How others in the story treat you will also be affected.

Also: your decisions are timed.

(I’m not entirely sure still what happens if you choose nothing in time, but I think you remain silent. (I don’t know why I was so terrified of it happening, looking back. I guess I was afraid that Lee would implode if I didn’t pick an answer before the white bar ran out!) )

Every now and then there are MAJOR turning points. These turning points are displayed in a graph at the end of each chapter, allowing you to see how your decisions compared to the rest of the player base. If nothing else, it’s an interesting feature that invites you to examine either your playstyle or personality…or maybe both.

Most action sequences involve mouseclicking a highlightable target before the computer deems your attempts at hand/eye coordination a joke. These moments are often followed by a queue to tap one key frantically and then prove you’re paying attention by awkwardly jamming your finger into another key. (QQQQQQQQQQQQQQQQ E!!! for most PC players.)


Frustrating? Sometimes.

Hear me out though– there is something about a scripted event requiring you to a)assess b)recognize and c) respond that accelerates your heart, boosts your adrenaline and makes you feel accountable. Sit behind someone playing this game and wait for these moments.

Should they fail (and oh, they will fail sooner or later), it will be a string of curses followed by an enraged deluge of excuses. We, as players, don’t want our character to die. When it happens because we weren’t observant or quick enough…it doesn’t feel good. The gory death sequences ensure that you’ll want to get it right next go.

In context, with the atmosphere the game builds, quicktime events are effective.

Yes. I said effective.

I will not say that they aren’t annoying as an out of tune kazoo at times. They certainly can be.

They can break the flow of the story. They can bring you out of the experience. They can piss all over your parade.

…And in some sick, stupid way that’s what makes them work – after awhile, you FEAR them.

On a side note, the autosave is well executed and you rarely have to play back extraneous portions of the game after death. There’s also a super convenient “copy save slot” if you’d like to explore multiple choices.

The Walking Dead Season One – Story

Guys, if I haven’t convinced you to pick up this game yet– please, please read the following section carefully.

I love this game. This game is easily one of my favorites I’ve played EVER.

You begin as a person you know nothing about and then BUILD your own personality as you play. Most characters are CHARACTERS and not ‘extras,’ ‘filler’ or ‘fodder’. You come to care about people as you pick sides. You grow into your role. You see obvious (sometimes fatal!) consequences of every action and the end screens remind you that the story could have gone differently had you chosen otherwise.

The story is engaging, exciting, and atmospheric.

For me, it was especially strong because I live in Georgia. I know the places they visited and recognized buildings and landscapes.

Even if you don’t know the area, you begin to feel safe in certain areas and apprehensive in others. You become immersed and once you play through a chapter, it’s excruciatingly hard to stop there.

That said there are flaws.

#1 Uneven Decision Weighting

Every now and again–even if you’ve picked every “good” answer for a certain character– one of those major plot points will crop up. Choose wrong and suddenly your buddy will seem to forget everything else that’s transpired and turn against you.

#2 Weird or Misleading Choice Wording

Whoa guys, hold on! I thought I picked "everyone take a deep soothing breath- yes, I know it sounded like 'he's stealing, she's a slut and all your momma's smell like feet,' you got my sentiment, right?  ...guys??"

Whoa guys, hold on!
I swear I picked “Everyone take a deep soothing breath”
Yeah, I know it sounded like “Everyone take a deep soothing breath because Kenny said your momma smells like cheese and your daddy’s starting to rot,”  but that’s not what I meant!!

Sometimes you read something one way, select it, and the resulting dialogue is NOT what you’d intended.

For example:

“He’s bit. Get him out of this house!”

a) “No. He stays.”

b) “Yeah, you’ve got a point.”

c) “What would you do if he was your brother?”

d)”Everyone calm down!”

Let’s say you’re trying to keep the peace and pick “d”. Lee might say the following, “Everyone calm down! Listen, I know it’s not easy to hear, but he’s going to turn. We have to do what’s best for the group and get him out NOW.”

…WHAT??? I didn’t want to boot him out the door, I just wanted to make everyone stop yelling until we figured out whether or not he was bitten!!!

or c) “What would you do if he was your brother? Would you just throw him out to become one of them before you knew for sure? What kind of selfish sack of shit are you?!”

…O>O whoa, whoa, whoa!!! I thought we’d be engaging his empathy here, Lee– not trying to encite a fist-fight! What the hell, man?!!

In a game dependent on the idea of free choice, this can be really irritating.

#3 Fated Events


Sometimes bad shit happens to good people. Real facts.

However, in a game where free choice is key, it can be really upsetting to try your damndest to protect/kill/discourage/encourage/ etc. another character only to realize a few hours later that their destiny was written regardless of what decisions you had made.

I lost someone I saved in chapter 1 in literally the blink of an eye…and it was shocking.

On the one hand, it was phenomenal. No one is safe to the whims of fate.

On the other, it was discouraging. No matter how I play, certain prompts in the plot WILL happen.

Great if you’re a fatalist, but not so good if it happens too often.

The Walking Dead Seaon One- The Payoff


In before the spoilers. (Don’t worry, that’s another post!)

I’ll level with you here: The Walking Dead has moments when your heart will warm with affection for the characters and, given the right decisions, your opinion of mankind in its darkest hour might elevate to something like admiration or hope.

There were many scenes that made me smile, laugh, shake my head, and fall in love with the fiction I was interacting with.

However, this isn’t Disney, it’s the Brothers Grimm.

It’s the zombie apocalypse, and Telltale Games make a point of driving the most painful aspects of that home.

You may not cry, but if you leave the final chapter unaffected, you were guarding yourself and denying that oh-so-beautiful catharsis this game can deliver if you let it.

It has the best of humanity (or it’s potential. it’s play dependent.) at it’s heart, and because it understands that goodness it expertly exploits, endangers, and ultimately decimates you emotionally.

It. Is. A. Tragedy.

A good one because what you stand to lose– the stakes if you will– are central to the plot from beginning to end.

There is no McGuffin, because you have the important thing with you all along.

The final choice is fated, unchangeable, and puts your two primary goals in direct opposition with each other.

The last scene? I stand by each and every word I chose and decision I made.

I had been in pain prior to deciding to stay up all night playing, and was likely still in pain.

…but I don’t remember how my body felt when I finished.

I went into my final chapter with everyone. I’m proud of that, actually.


Didn’t I say we’re strongest together?!

I lost people along the way, and while I played 90% of the game by “no take-backs” rule of thumb, during that final chapter, I made some exceptions.  Truth be told- the second I saw what might happen to my friends, my wards, my family– The second I feared I might lose them in these final moments, I quickly backed out in an attempt to see if a different choice might save them.

I couldn’t help it.

We’d come too far.

Flaws. Fights. Feuds. Whatever–!

I had played Lee like I hoped I’d behave…with one exception that I didn’t correct. It had been a choice. I made a choice…. and while it was pragmatically correct, it was morally wrong. I left it though because I played it like I might have lived it.

Mistakes and all.

It’s that kind of thing that pulls you in and makes the ever nearing end that much more suspenseful and poignant. You, on some level at least, become Lee.

I was so engrossed in the game that anything my actual nerves were telling me were either ignored or incorporated.

I remember how 2am felt, but at 6am I don’t remember how I was.

I remember the state of my heart and the beautifully rendered expressions on my character’s face though.

I remember how Ben and Kenny and Lee and Clem were.

And oh, I cried.

Crosslegged on the bed, encapsulated in pillows and melted icepacks and blankets, a disgruntled cat on either side and no light save the dark glow of The Walking Dead on my face… I clicked and I wept without shame.

I clicked through my options and I spoke my chosen words to the screen in an encouraging whisper. I tried to keep a stiff upper lip.

(For her sake, y’know?)

I wished wellness and safety and strength to a person that didn’t exist…

And doing so, I vicariously made myself stronger for her sake.

So that’s 2000 odd words about why I’m grateful to have this game.

2000 odd words that I hope might have convinced someone to give it a chance.

2000 odd words that are an earnest wish that more games like this be made.

I’ve played a lot of games, and while easily entertained, I’m not so easily moved.

Thanks The Walking Dead Season One.

I’m not done with you yet as a topic for writing, but today, I’m certainly grateful for your reprieve from reality.


Holiday Handbag Cuticle Oil by butter London is One Slick Product

ButterI’ve now received two different samples from Butter and have been pleased with both. Having already liked the first polish I received, I was all set to like whatever lay inside the second fashionably squared bottle that came in the mail.

The back label reads: “Fun memories for you, intensive nourishment for your cuticles. This cocktail of vitamin and natural oils smells great, works even better. Mineral oil free.”

So I really don’t have the foggiest idea what’s in it.

What I do know is that it certainly keeps it’s promise of a pleasing scent.

Moreover, a little of this oil goes a long way…and on more than just your nails! When I first applied it, the feeling reminded me of a dry oil spray I love…and so it occured to me that it might feel nice on my winter parched hands.

One try and I was sold- a single swipe from the nail brush applicator is enough to cover front and back of both hands without feeling greasy or leaving a lingering shine. It’s quick to absorb, smells amazing, and leaves skin feeling supple and hydrated.

My real love for this product though is it’s more…cerebral application. That is, if you happen to be sporting a chromedome this stuff quickly does away with dryness and itchiness of the scalp. A real relief if you’ve become too aware of the top of your head for one reason or another.

So there you have it- a little bottle that packs a punch and lasts forever.

Furbies are back! (2012 Tumblr post)

Furbies are back!

Do you remember 1998? I do.

Tamagotchi’s were headed out and the brand new toy that everyone had to have was the Furby. These toys were amazing! You could talk to them and they talked back! They moved and reacted to light and sound! They learned and developed based solely on your interactions with them! Who wouldn’t want one?!

furbyeyes2Of course, they lost their novelty quickly as we realized that no, they would not become sentient…or even close to it. Parrots, though smellier, were still way, way cooler. (Personally, I had been a bit concerned that they would lead to the whole ‘robot overlord’ thing, and was mildly disappointed when I discovered every bit of that worry unfounded). They didn’t walk, danced poorly, never shut up, and had no real ‘game’ of any sort to keep you engaged with them. They just…were, and eventually the shine of possessing one wore off. Eventually my Furby ended up in a corner with a blanket over its head just to keep it quiet. I know that several of my friends’ Furbies suffered a similar ‘cloak of eternal darkness’ fate.


Now 5 years after the last batch of Furbies was pumped out and 14 years after their initial boom, Hasbro has decided that the time has come to unleash these chirping, wobbling, fuzzy fiends on a new generation. Of course, this go around there are fancier LCD eyes and a slew of apps to be used along with them. The ears are pretty cute, and apparently they have different personalities depending on how you interact with them…or something like that. *shrug*

Even with the bells and whistles, the gimmick still feels very samey. It talks? Awesome. I remember how eventually every odd noise and whistle and hoot made me want to run my ear over a cheese grater a few billion times with the first models. The talking is SO not a huge selling point for me.

newfurby3It moves? Yeah, okay. It moves more than the original did. It’s little giggle is actually cute looking, and the dance in the video is adorable. And oh. OH. I can feed it with my phone? I can use a dictionary to translate the Furbinese or whatever they want to call it? Novelty points there, I guess. It’s an interesting little addition if nothing else, and maybe an opportunity to keep the little gremlin engaging.

I feel that with the advent of things like webkins a few years back, this whole ‘toy with tech’ might have come a little late as a selling point for the kidlets that didn’t get to experience the furbies the first go around…leaving me to wonder who the target market really is. Maybe this is more of a nostalgic toy aimed at the older crowd as well? I suppose we’ll just have to see how they do.

For a more detailed look at Furby 2012, check out this review:

Posh Polishes: Nail Polish by Deborah Lippmann and butter London

I enjoy a manicure as much as the next girl, and am always happy to recieve new colors and brands in my monthly samplebox from beautybar.com.

nailpolish1The first comes from butter London, a company with a strange capitalization theme and a stylish bottle. The square lid actually slides upward to reveal a more convential cylindrical polish brush– a nice touch as it doesn’t sacrifice ease of application for aesthetics.
The color I have is “Old Bill,” a shimmering neutral bronze. The color goes on smoothly and dries in an average amount of time, leaving a nice glittering finish that can easily stand alone. The polish easily lasts the better part of a week without a top coat if you treat it gently, and wear and tear at the tips are easily patched with a swipe or two at night if you feel so inclined.

The color is classy and could literally go with anything so long as you’re alright with the glistening finish.

nailpolish3The second polish comes from Deborah Lippmann, and quickly became a favorite of mine. Unlike butter London, there’s not much to say about the bottle. The typography is nice and there are subtle indentations at the neck and base. The handle of the polish brush has a curved ergonomic grip that definitely makes it easier to hold onto– a real bonus in my book as I always struggle on my non-dominant hand.

The color I received is Private Dancer, a multifaceted shimmering purple with silver undertones. Although normally not a big fan of purple nails, I can’t stress enough how much love I have for this color. It changes personalities based on lighting and background with the agility of a chameleon and has enough sparkle to get noticed but not be obnoxious.
I love this color so hard, that I couldn’t just stop at my nails– any small project that needed a dash of color got a private dance!

Wear wise, this brand seems to be a titan. Even with far-from-gentle wear, my color lasted well over a week with only a touch-up here and there.

I like both brands, but Lippmann thoroughly thrashed butter in every area but shelf appeal for me in regard to these samples. I’d still recommend both though, because like it’s namesake, butter is certainly slick…just not my favorite color in this instance.